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My Fair Lady revival to tour UK this autumn after West End run

The company of the Lincoln Center Production of My Fair Lady credit Joan Marcus.
The company of the Lincoln Center Production of My Fair Lady credit Joan Marcus.

The upcoming revival of My Fair Lady will embark on a UK tour this autumn.

New York’s Lincoln Center Theater’s production will hit the road from September 2022 after a run in the West End this summer.

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Lerner & Loewe’s musical will open in Bradford before going on to visit Dublin, Cardiff and Southampton, with more cities to be announced in due course.

Directed by Bartlett Sher, this sublime production, which premiered in the spring of 2018 at Lincoln Center’s Vivian Beaumont Theater, was the winner of the Tony Award for Best Costume Design, 5 Outer Critics’ Circle Awards including Best Musical Revival, the Drama League Award for Outstanding Musical Revival, and the Drama Desk Awards for Best Musical Revival and Costume Design.

Bartlett Sher said: “Getting a chance to revisit Shaw’s extraordinary story of class and privilege in a new age is a rare and special event and I am thrilled to be able to take this epic musical on tour for audiences up and down the country to enjoy.”

Casting for the tour is to be announced.

My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady”. But who is really being transformed?

With a book and lyrics by Alan Jay Lerner and music by Frederick Loewe, My Fair Lady boasts a score including the classic songs “I Could Have Danced All Night,” “Get Me to the Church on Time,” “Wouldn’t It Be Loverly,” “On the Street Where You Live,” “The Rain in Spain,” and “I’ve Grown Accustomed to Her Face.”

The new production has sets by Michael Yeargan, costumes by Catherine Zuber, lighting by Donald Holder, sound by Marc Salzberg, hair & wigs by Tom Watson, UK music supervision by Gareth Valentine, UK musical direction by Alex Parker, musical supervision by Ted Sperling and choreography by Christopher Gattelli,

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